Book review: Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts

Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts offers a compelling exploration of the post-digital, providing a solid theoretical and practical foundation for understanding this critical concept. By situating the post-digital not as a mere chronological marker after digitalisation but as an entangled condition where digital, analogue, and material practices coexist, the book establishes itself as an essential resource for scholars and practitioners alike.

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Not AI, but Abstract Statistic Systems

Recently, I held a keynote on The Al Conundrum in Photographic Art-seminar, focusing on the general understanding and discussion around generative AI. The seminar explored the reasons and ways that artificial intelligence is being used by artists today and included interesting artist talks from Hilde Honerud, Tuomo Rainio, Mikaela Steby Stenfalk, Ida Kvetny and Diana Velasco.

Moreover, the Director of the Finnish Museum of Photography, Anna-Kaisa Rastenberger, gave a wonderful commentary on my keynote, and after the talks, there was a lively discussion from the panel consisting of Anna-Kaisa Rastenberger, artists and Donald Weber, Associate Professor at Aalto University. The seminar was organised by the Association of Photographic Artists (FI) in collaboration with three Nordic photography institutions, Centrum fรถr fotografi (SE), Fotografisk center (DK), Preus Museum (NO), and Aalto University.

Below is a transcript of that talk.

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Brewday: Pilsner ๐Ÿบ๐Ÿบ

At last, it's time to tackle the first brew with the new system. I pondered a great deal about what kind of lager to brew, a smoky Bamberg-style proto-lager, a replica of some large macro-beer, like Heineken or Carlsberg? A Budweiser? A more modern take with American-style hops? A Bock?

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